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Livestreaming

Streams built like a broadcast

Multi-camera production, mixed sound, and graphics for on-site and remote audiences, with redundant signal paths so the stream never drops.

A laptop, control pad, joystick, and small monitor are set up on a desk in a conference room with white tables and maroon walls displaying Danish text in the background.

A stream is a broadcast, not a webcam

Your remote audience judges the stream against Netflix, not against a video call. Single-camera streams with room audio lose viewers in minutes – and those viewers are often the stakeholders you most wanted to reach.

Profox produces livestreams at broadcast level: multi-camera, mixed sound, graphics, speaker overlays and redundant signal paths. On-site audiences and remote audiences get two versions of the same event – each designed for its screen.

What we deliver

  • Multi-camera production with live vision mixing
  • Broadcast audio mixes separate from the room PA
  • Graphics, name straps, slides and pre-produced video rolled in live
  • Redundant encoders and bonded internet uplinks
  • Streaming to any platform: LinkedIn, YouTube, Teams or your own site
  • Hybrid two-way setups where remote participants take part, not just watch

    Frequently asked questions

    What happens if the internet fails mid-stream?

    With bonded uplinks and redundant encoders, a single failure changes nothing. Redundancy is standard in our streaming rigs, not an add-on – a dead stream cannot be apologised into working.

    Can viewers interact with the event?

    Yes: moderated Q&A, polls and remote presenters patched into the programme. Hybrid works when the remote audience has a role, not just a viewport.

    What does a professional livestream cost?

    Camera count, graphics ambition and duration drive it. A sharp two-camera stream costs less than most expect; a multi-day hybrid conference is a bigger machine. Fixed quote after we see the programme.

    Often booked together